Backstreet boys i want it that way with the original lyrics

вЂњI Want It That WayвЂќ assumes, rightly, that you enjoy hearing these men harmonise around that title, and simply arranges itself to give you the maximum possible opportunity to do that, with slightly different emphases each time but no regard for whether all those swoonsome moments fit together.

It takes the idea that nobody really listens to the lyrics completely seriously, constructing a song that is meaningless at a textual level and absolutely blotted with sentiment at a textural one. The genius of вЂњI Want It That WayвЂќ is in how it avoids this problem by вЂ“ as pointed out by comedians ever since вЂ“ simply not making any sense. вЂ“ are meagre and shopworn, and the ideas run out long before the record does. Most of these things stumble because the ways they find of expressing the same set of emotions вЂ“ fidelity, puppy love, pained devotion, et al. Which they do, cleverly, by smashing the boyband ballad into fragments. The ambition of it seems a little clearer вЂ“ this isnвЂ™t so much generic as platonic, Max Martin and collaborators reaching to make the perfect boyband ballad. In the hubbub of 1999 вЂ“ a lively, crass year in pop music вЂ“ I read its clean-lined simplicity as inertia, and admired it without ever really liking it. ItвЂ™s one of those songs, like вЂњBack For GoodвЂќ, which was rapturously received by critics for its craft, as likely to win a design award as a teen choice one. вЂњI Want It That WayвЂќ has never quite delighted me as much. They are boyband pop as a vaudeville romp, urgent and exciting but goofy too: more, well, boyish than the groupвЂ™s best-behaviour balladry. Those tracks had Max Martin taking the hammer chords he used to intense, melodramatic purposes on BritneyвЂ™s hits, and being more playful with them. In one way this is a shame вЂ“ the Backstreets were at their most endearing on their upbeat hits, like вЂњEverybody (BackstreetвЂ™s Back)вЂќ and вЂњLarger Than LifeвЂќ. вЂњI Want It That WayвЂќ is their only UK number one. The British audience was at least mildly resistant вЂ“ the Backstreets had several big hits, which was more than Lou PearlmanвЂ™s other money-spinners generally managed, but they mingled with plenty of less slick homegrown options. And this was why: the state of the pop art, number one worldwide, a band ascending into an Imperial Phase. Britney Spears вЂ“ who shared songwriters and producers with the Backstreet Boys вЂ“ had seen her early solo aspirations dismissed as a needless risk: lone stars were finished, groups were the future. But the old model was resilient, and more to the point, it was still astonishingly profitable. With Westlife, Simon Cowell was finding a way to broaden the appeal of male vocal groups, and create something more stable than the firework appeal of the traditional boyband.

Backstreet boys i want it that way with the original lyrics